The vatican tapes full movie
Clearly, it’s going to take a lot more than holy water - namely, metal chains and a holy dagger - to rid the world of this particular demon.
Peter’s Basilica, the task of banishing the evil spirit falls to the imperious Cardinal Bruun (Swedish scene-stealer Peter Andersson), who takes one look at Angela and busts out the deluxe exorcist’s kit (seriously, it has, like, compartments and everything).
And so, after a few quick cutaways to St. What makes this demonic presence particularly toxic is not only its sudden, unmotivated hold on Angela’s mind and body (no one messes around with a Ouija board here), but also the psychic power it exerts on those trying to treat and/or question her, willing them to destroy themselves in hideously baroque ways.Īs Angela is relocated to a psychiatric hospital, where her telekinetic killing spree continues, a friendly ex-military priest named Father Lozano (Michael Pena) skulks about helpfully nearby every murder causes his brow to furrow a bit deeper until he decides it might be time to contact the Vatican. Grisly wounds, mysterious raven attacks and a not-so-accidental car accident all conspire to land Angela in the hospital, where she remains comatose for a biblically significant 40 days before awakening to unleash bloody havoc. That’s our cue to meet Angela Holmes (Olivia Taylor Dudley), an attractive, well-adjusted Los Angeles resident who’s just turned 27 when she inexplicably starts to unravel, to the concerned bewilderment of her live-in boyfriend, Pete (John Patrick Amedori), and her gruff, staunchly religious father, Roger (Dougray Scott). As we learn from the ominous exorcism montage that opens the picture, high-ranking religious officials have made a habit of investigating this kind of paranormal activity over the past 2,000 years, seeking out cases that could definitively prove the endtimes are upon us.
#THE VATICAN TAPES FULL MOVIE MOVIE#
Although it boasts a suitably raw-and-jangly handheld aesthetic, Neveldine’s movie functions primarily as a straight-ahead thriller with a few faux-verite touches, inserting occasional blips of security-cam footage supposedly procured from the Church’s top-secret video archives (the “Vatican tapes” of the title). Martin) took the form of a found-footage movie, the filmmakers wisely opted to buck that overdone genre trend. While the original 2009 Black List-selected screenplay (written by Christopher Borrelli and Michael C. Silly, screechy and eminently watchable, this thrifty horror exorcise (er, exercise) could yield decent theatrical profit for Pantelion Films, and might turn even more heads in VOD play. And director Mark Neveldine, who is no master of dread but a dab hand at dispensing regular shocks, brings an undeniable lunatic conviction to this cheaply derivative religio-horror freakout, while running up the sort of abnormally high body count you’d expect from a “Die Hard” sequel rather than an occult thriller. It’s no ordinary case of demonic possession that rouses the attention of the Catholic Church in “The Vatican Tapes” - more like the sort of full-on egg-vomiting, eyeball-gouging spiritual meltdown that suggests the Antichrist herself now walks among us.